Mihaly Munkacsy

1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.


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Mihaly Munkacsy Making Lint oil


Making Lint
Painting ID::  98360
Making Lint
1871(1871) Medium oil on panel Dimensions Height: 141.3 cm (55.6 in). Width: 196 cm (77.2 in).
   
   
     

Mihaly Munkacsy Condemned Cell oil


Condemned Cell
Painting ID::  98361
Condemned Cell
between 1869(1869) and 1872(1872) Medium oil on panel Dimensions Height: 87.5 cm (34.4 in). Width: 116.5 cm (45.9 in).
   
   
     

Mihaly Munkacsy Christ in front of Pilate jezus przed pilatem oil


Christ in front of Pilate jezus przed pilatem
Painting ID::  98362
Christ in front of Pilate jezus przed pilatem
1881(1881) Medium oil on canvas Dimensions 417 x 636 cm (164.2 x 250.4 in)
   
   
     

Mihaly Munkacsy Apotheose der Renaissance oil


Apotheose der Renaissance
Painting ID::  98363
Apotheose der Renaissance
1888(1888) Medium fresco
1888(1888)_ Medium_fresco
   
   
     

Mihaly Munkacsy Kutyacsalad oil


Kutyacsalad
Painting ID::  98367
Kutyacsalad
1890s Medium oil on panel Dimensions Height: 73 cm (28.7 in). Width: 100 cm (39.4 in).
   
   
     

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     Mihaly Munkacsy
     1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.

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